Items

• Forty-deuce : a play
  This dark play was first performed Off Off-Broadway in 1981 and gave Kevin Bacon (seen here on the cover) an early, award-winning role. The play’s title is a riff on both the tennis score and a junction at New York's 42nd Street known as ‘the Deuce’, where sex shops, porn cinemas and peep shows were clustered. The play, by Alan Bowne (1945-1989), depicts the death and exploitation of a young boy alongside a critique of commodity culture and was published by Felice Picano’s Sea Horse Press. Sea Horse Press was one of the Gay Presses of New York collective, which worked to increase the visibility of gay books.
• If this isn't love! : (two men--twenty years--in three acts)
  Part of the ‘JH Press Gay Play Script’ series, this was one of the most successful plays performed at The Glines, a not-for-profit gay theatre company in New York. Written by Sidney Morris (Fineberg) (1929-2002), the play follows couple Eric and Adam across three acts representing three decades of gay life and experience, entitled ‘The Fearful Fifties’, ‘The Seeking Sixties’, and ‘The Succulent Seventies’. As the men age, they respond to increasing societal liberation and changes in their own relationship. Morris, whose own youth was in the 1950s, wanted to ensure that the gay community did “not forget our dark and absurd past”. Morris wrote a number of other plays with gay male themes. Terry Helbing from JH Press, the play’s publisher, was also the general manager of the play’s first run. Morris died from AIDS in 2002.
• Street theater : the twenty-seventh of June, 1969, in two acts
  Part of the ‘JH Press Gay Play Script’ series, the play is set on Christopher Street on the eve of the police raids on the Stonewall Inn bar which led to the Stonewall Uprising, in which Doric Wilson (1939-2011) was a participant. The “street theater” of the title is created by the characters including a “flower child”, “street queens”, a “vice cop”, a “student radical” and a “politically incorrect lesbian”. First performed in 1982 in San Francisco, the play later moved to New York. Wilson also worked as a barman, the tips from which helped support his theatrical endeavours, including TOSOS (The Other Side of Silence) an Off Off-Broadway theatre space.